Money Turns People Into Jerks, Says Science

by the Performing rights organizations ASCAP, BMI, or SESAC.The Performance Rights Organizations negotiate blanket licenses with all those who use music for profit on radio, TV, commercials, in clubs, etc Performance Rights Organizations monitor radio and television broadcasts and pay publishers and songwriters based on projected uses of a song.Performance royalties pertain to the money songwriters earn from radio airplay, television, jukeboxes, music services and live performances. SYNCHRONIZATION LICENSES Synchronization Licenses are licenses issued to have Music used in film, television, commercials, music videos, etc. A songwriter earns money from songs placed in TV or Film from the Synch licensing fee paid up front. Thus Synchronization license fees and royalties are generated by songwriters by licensing their songs to be used in TV, Films, commercials. Synch typically means licensing the right to record the music or songs in synch with the pictures of film or TV movies, ,etc.The songwriter and publisher are paid a negotiated fee to use the song in the movie.. The Synch license fee is determined by the overall music budget a music supervisor has to work with and the negotiating power of the artist. A prime-time network TV show might pay a license of $1000 $8000 for an unknown artist or songwriter.Major studio pictures pay well-known artists in the tens of thousands of dollars for use of their songs in a movie.Songwriters with songs on a particular TV Show generate new royalties every time the TV show is re-run or goes into syndication. Please Note that a sync license gives the license holder the right to only RE-RECORD a song for use in a media project.A master license gives the license holder the right to use a pre-existing recording of that song in a media project. Its important to understand the difference between a synch license and a master license if youre trying to get your songs in film or TV.A master license is obtained from the person who owns the recording (in other words, owns the master). Often times master licenses are obtained from the record labels. FOREIGN MUSIC LICENSING Songwriters can also enter into a foreign music licensing agreement with a foreign record company and earn revenue.With a foreign music licensing agreement you authorize a foreign record company to duplicate and sell copies of existing masters. A song writer can earn foreign royalties as a result of entering into a foreign licensing agreement with an overseas record company. VIDEO GAME LICENSING & PLACEMENT Equally important, Songwriters and producers can generate revenue by licensing their music to be placed in video games.When submitting your music to video game developers directly, remember that certain games require certain types of music to compliment the action on screen.
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He likes so much to try new things and he is always ready to take you on a new journey into the unknown and uncharted waters of the Online Ocean. Dee Ann Rice I know very little about Dee Ann Rice. I have commented on her blog two or three times, I think. I like that blog. I like the visual appearance and I like the way she structures the posts with a combination of text, images and videos. Her picture shows a woman who has something that reminds me of the Northern world, of the vikings who set sail to conquer the world centuries ago. I would like to know more about her, of course. Ana Hoffman Well, Ana is .. Ana. A powerful and courageous woman who decided one day to conquer the world and she did. I own her a lot, a change in my mindset, an increase in confidence, experience with a viral contest, an increase in the quality of my articles and many more. Thank you very much Adrienne for this Thursday Have a nice day July 26, 2013 at 8:54 AM Hi Silviu, Well youll love what Francisco shares because he has one of the most popular blogs online today and for a reason. I loved this infographic he shared so hope you will as well.
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I had a meeting last week with Joel Spolsky , a blogger who figured out how to make it work. You don't charge for access to the information. What you do is create a honey-pot that attracts specific kinds of people. Then think about products you can sell to those people, or businesses who would pay money for access to them. Solve problems, and then think creatively about building businesses around the flow you have. Spolsky started Stack Overflow , a great service for answering questions programmers have. It's authoritative in so many areas. The business they attract is recruiting. Great programmers are in demand. Everyone wins, and Joel gets rich. The news industry ultimately will figure this out, or a new news industry will form around this idea. If you're covering a geography, learn what the geography needs, write about it, gather all the business interests around that need, and invest in new ventures that require access to these people, because you have developed that access.
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As this piece from PBS NewsHour explains, Piff has discovered findings like: Drivers of expensive cars were three to four times more likely to break the law, and not stop in a pedestrian intersection. Given the opportunity, wealthier participants took twice as much candy from children as poorer participants. The wealthy cheated four times as often at dice games when money was on the line--a $50 voucher. Your first reaction might be like my own. Of course the wealthy broke the rules and played aggressively--thats how and why they became wealthy! Those are, in essence, skills that have manifested in success. And no doubt, some of the most innovative companies in the world (including basically every .com to date) shoot first and ask questions later. But Piffs most interesting study shows moneys power to corrupt. Using a rigged Monopoly game, Piff pits two subjects head-to-head. A coin toss determines which subject will be inherently wealthier than the other, getting more money to start, more money when they cross Go, and rolling with two dice rather than one. At the end of the game, the wealthier subjects inevitably win. But strangely, when asked, even knowing that they were given every advantage in the game by nothing more than chance, they reported that they deserved to win. Even in the microcosm of Monopoly, wealth bred entitlement.
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